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Photographer and lecturer Jan Regal
Smilková, Karolína ; POSPĚCH, Tomáš (advisor) ; LEDVINA, Josef (referee)
The thesis focuses on the photographer and lecturer Jan Regal. In the theoretical section summarizes his life and work as a photographic and educational activities. Jan Regal scope is predominantly in the Zlin region, where he comes from. The intention of this work is not only biography, but also his work in the context in the times.
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International co-production of debut films
Michálek Květová, Kristýna ; KOPECKÁ, Anna (advisor) ; Macola, Jan (referee)
The aim of the thesis is to analyse the European film industry, namely the sphere of the debut films in the international co-productions. The thesis
examines the influence of co-productions on development but also on
distribution of first features. The thesis points at the current trends which are arising at the European film market nowadays. One of them is the phenomena of the film industry and the networking activities designed for the film
professionals. By this we mean various platforms: workshops which are created for the script development but also the consequent co-production markets and forums, which involves pitchings of the projects at the stage of
financing. The rules and specifics of the co-production financing system are
also one of the major topic. The subject of the thesis is viewed from the point of view of a debut producer,
and the base of the thesis are mostly interviews with several European producers of successful debut films from last several years.
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Botanic Expansion
Netočný, Martin ; ŠIMŮNEK, Michal (advisor) ; LEDVINA, Josef (referee)
In the context of contamporary Czech science scene is nowadays possible to find several persons, whose activity is exceeding area of exact research. Projects realized by those people are in discours targed by primary focus of the field of their study, however by its quality often tend to interdiciplinar space. One of the main aspects which is possible to find in this kind of work is significant accent of aesthetic viewing of that problematic. Almost obsessive tension of this interdisciplinary thinking is present in work of botanic Jan Albert Šturma, whose science and artistic research is focused on expansive plants in European context. His activities are full of formal similarities with Czech underground scene of 60s and 70s, mostly happenings around bands The Primitives Group, Plastic People of the Universe and Dg. 307. Yet realized land art installations are typical by their intuitive unchained atmosphere and inclination to pseudosacral theme. This work aims to chart selected projects of Albert Šturma in the way of creative research and with use of participating observation method document the actual ones.
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Time management for Czech film producers
Homolová, Anika ; KOPECKÝ, Čestmír (advisor) ; MORAVEC, Václav (referee)
In my thesis I focused on time management issues connected to the workflow of independent Czech film producers. I was interested in specific ways producers’ job defines their time management and which methods can be used to help them in keeping their time under control.
I have approached four Czech producers with related questions, analyzing the topic in a form of an interview. Based on their personal experiences I was able to create several models of efficient time management which can prove useful to other producers. I based my research on quality not quantity and because of that some of my results may seem subjective. That said I am convinced it was worthwhile to delve into this topic and use the experiences of production personas of Czech film scene as a base for my research and possible help for others.
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Lost in Munich: Genesis of Narative Structure
Palkosková, Lucie ; BRDEČKOVÁ, Tereza (advisor) ; KAJÁNKOVÁ, Lucia (referee)
The aim of this work is to analyze and describe the changes, which were made
through the development of the script and try to reconstruct author’s style of
work. The purpose of this research is to better understand how to write a story
with such a complex structure and to verify hypothesis obtained by the analysis
of the film and the versions of the script in an interview with the author himself.
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Art in the club
Verešpej, Jonáš ; JANOŠČÍK, Václav (advisor) ; LEDVINA, Josef (referee)
The thesis examine the contemporary art in the context of club culture in Amsterdam, specifically in the clubs De School and Trouw. I am interested in the club as an alternative space for visual arts and its innovative contribution to the world of contemporary art. Whether the way the artworks are being installed, or themes, which are being brought to the club culture. At the same time the thesis examines authors, who in their work thamatise dance and club culture, rave or genres like techno and house
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Girl's talk
Pecháčková, Marika ; RŮŽIČKOVÁ, Alice (advisor) ; Felcman, Jakub (referee)
Via interviews with five female students and one female teacher at the Documentary Film Deapartment at FAMU, this thesis seeks to define if not an exact, specific form, then a marked out area of today's female identity. In the dialogue with these women, the question how do they use their femininity in their work is asked. Which areas are opened thanks to their gender and in which way is their contemporary thinking about womanhood different (and shifted) in comparison to the previous generations of the feminist discourse? To what extent do the old models of perception of women persist and even parasitize within them, and how do they find their liberating escapes?
The thesis represents an instrumental specimen taken from a limited time and space i.e. the Documentary Film Department at FAMU during the last decade (2007-2017). This work is also part for the general search of role of women here and now.
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The change of the lighting approach in filmmaking with the arrival of LED technology
Nedvěd, Ondřej ; ŠEC, Martin (advisor) ; MYSLÍK, Jiří (referee)
LED lightning technology is relatively new element in the field of filmmaking. The aim of this thesis is to clarify how did the cinematographers‘ approach towards lighting change with the arrival of LED technology with regard to usability of LED sources in practice. The theoretical part of this thesis is going to analyze what are the technical benefits of LED lights in comparison to traditional light sources. The practical study describes the experience of the cinematographers who are using LED sources in practice. This thesis concludes that LED lights are able to compete with traditional light sources and are even able to exceed them in many ways.
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